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Sound Design
Sound Supervisor

Full sound post-production.


The Sound Supervisor is essential to guide the aesthetic, administrative, and technical paths within the team. Overseeing  Dialogue Editing, ADR, Sound Effects, Ambiences, and Foley. We have access to cutting-edge sound editing tools and a vast original library. We like to be involved in projects from the beginning, often collaborating with the production team, directors, location sound and other members.



We're experts in sound mixing for Brazilian and Latin American films, with over 15 years of experience. We also have extensive knowledge in international co-productions. Our services include mixing in 5.1, 7.1, and Dolby Atmos®.


Musical Direction

An overview of the music decisions for the project. Determining  musical genres and styles that align with the story, selecting the team, arranging music, providing input on musical cues during editing, hiring and directing composers and musicians, and suggesting pre-existing songs for clearance.


Music /
Original Score

Original themes created especially for the film. Whether working individually or with other musicians, Rita Zart collaborates closely with directors and sound supervisors to ensure the music fits perfectly with other elements of the soundtrack.​

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